Saturday, November 10, 2007

1340 – 1370 Machaut



1337 Beginning of the 100 Year War
1348-49 Black Death
1304-74 Petrarch
1313-75 Boccaccio
1360 First Harpsichord


French Ars Nova

Isorhythmic motet



Two relatively equal faster voices moved over a very slow tenor with long repeating rhythmic patterns (called talea) and sometimes a repeating melodic pattern (called color). Talea and color usually did not coincide. Isorhythm was occasionally found in the upper voices, too. Characteristic cadences were:

(1) Lydian (double leading tone) with a leading tone to the fifth as well as the octave, and

(2) Landini with 7 – 6 – 1 melody.






Guillaume de Machaut (c. 1300-77) composed 23 motets, three in four voices.



Mass



A four-part Ordinary in conductus-like style was composed by Machaut called the Messe de Notre Dame (probably before 1340).





Chace



The chace was a two or three voiced canon at the unison composed by Machaut.



Chanson





Machaut

Chanson
|--------------- optional instrumental—Triplum
|French text - vocal—Cantus
|--------------- freely composed, instrumental—Tenor
|--------------- optional instrumental—Contratenor


Chansons by Machaut were the earliest polyphonic solo songs. The trouvère melodies in the three traditional formes fixes:



Type Rondeau Virelai Ballade
Music ABAAABAB ABBAA AAB, AAB, etc.
Text abcadaea Abcdaabc, ade, etc.


These were usually accompanied by freely composed instrumental tenor and contratenor parts. Machaut used all four prolations (2/4, 3/4, 6/8, 9/8) in his 21 rondeaux, 33 virelais (25 monophonic) and 42 ballades (2-4 parts).





Italian Trecento

Caccia


Caccia was a two part canon with a supporting tenor; the form had a closing ritornello. Composers were Magister Piero, Giovanni da Cascia and Jacopo da Bologna (fl. c. 1350). Hocket was common.



Madrigal



Two or three three-line stanzas repeated the same music, followed by a contrasting two-line ritornello (AAB or AAAB). The music was in two fairly equal voices with an upper melody and melismatic passages; also composed by Giovanni and Jacopo.



Songs on the Black Death



In Germany songs on the black death were called Geisslerlieder, and a Spanish collection was the Llibre Vermell.

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