Saturday, November 10, 2007

950 – 1050 Late Parallel Organum


963-92 Otto the Great, first Holy Roman Emperor
1050 Chanson de Roland


This is the generation of Guido d'Arezzo.




Monophony

Sequence



A more regular type of sequence came into style around 950, characterized by strict poetic meter, lines of more equal length and some rhyme. An example was the earliest sequence to remain in the liturgy, Victimae paschali laudes, the Easter sequence by Wipo of Burgundy (c.1000-c. 1050).



Polyphony

Parallel Organum



Parallel Organum |-Latin----- chant—vox principalis
|-Latin----- added—vox organalis


By the time of Guido d'Arezzo (c. 990-1050) only type 3 organum at the fourth with occursus, was permitted.  This is the type of organum that begins in unison, moves to the fourth and then returns to unison at the end.



Theory

Hexachord system



Guido d'Arezzo perfected a method of sight singing using six-note patterns (called hexachords) with a half step between the third and fourth steps set to the syllables "ut, re, mi, fa, sol, la." The hexachord on G was called durum or "hard" and the sign for the B was b quadrun or square b which evolved into the natural sign. The hexachord on F was called molle or "soft," and the sign for Bb was b rotundum or round b which evolved into the flat sign. The hexachord on C was called naturale.



Guido's hexachord:



Note DurumNaturaleMolleDurumNaturaleMolle Durum
ee la
dd la sol
cc sol fa
bbmi
bbb fa
aa la mi re
g sol re ut
f fa ut
e la mi
d la sol re
c sol fa ut
bmi
bb fa
a la mi re
G sol re ut
F fa ut
E la mi
D sol re
C fa ut
B mi
A re
GG ut


An adjunct to the system was the Guidonian Hand which assigned each of the twenty notes (B and Bb count as one note) of the hexachord system to a joint on the left hand.



Staff



Guido was also first to describe a four line staff with letters (F, C, G) which served as clefs. This invention has served to precisely identify pitches down to the twenty-first century. His most important treatise was Micrologus (c. 1030)

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